I’m currently in Moscow for the First International Science Art Conference and Exhibition. Sanseveria Trifasciata re-created its performance of The Plant is Present here, with the help if Liliya Lifanova. and I gave a short presentation on the work and its relationship to that of Marina Abramovich. More photos, as well all pictures of everyone who sat with the plant, coming soon.
Sansevieria Trifasciata, an epic houseplant, performed its work “The Plant is Present” at the School of the Art Institute’s New Blood Performance Festival, November 19th and 20th, 2011. The plant sat silently while a total of 138 visitors took turns sitting in a chair opposite it, staying in its presence for as long as they liked. All guests were photographed, and asked to record their experience in a comment book. Responses ranged from “I felt a connection to the plant and was able to live in the moment” to “It was awkward” to “So good! I loved every second of it!” to “Marina was exactly as interesting.” Check back later for more documentation, a full transcription of the comment book and photos of all 138 visitors to the plant.
Sansevieria trifasciata is an epic houseplant. Often referred to as “the plant that won’t die,” it is famous for thriving on neglect. Commonly called Mother in Law’s Tongue for its sharp leaves, or Snake Plant for its winding tendrils, S. trifasciata is one of the top 50 plants that clean the air, converts carbon dioxide to oxygen at night, and has historically been used to create bowstring hemp. In short, its creative career is one of tenacity and self-sacrifice. I will be giving a lecture on the phenomenal artistic accomplishments of this plant at the School of the Art Institute of Chicago (Nov. 14th, 4:30pm, 2M space, MacLean Bldg) before the plant performs a solo work called “The Plant is Present” at this year’s New Blood Performance festival.
So, after the epic adventure designing my brother’s wedding at ZSpace, a San Francisco theater, I was enlisted to go at it again. The ceremony featured a split laser: the reception involved a tea ceremony and lavender cupcakes. The happy couple had specific color themes: beyond that, I was inspired to mix ZSpace’s amazing rep plot to create certain layered looks. It was especially fun making a gobo top wash for the tables, and a series of crazy chase sequences for the dance party. I also assisted the couple in some planning and staffing.
Photos by the amazing Michelle Damas.
Want an adventure sometime? Design an event for two people who are producing the most important event of their lives. That was my brother’s wedding to Emily Smith, now Beitiks. It involved gobos, wall stickers, walkie-talkies, a slow buffet line, the colors blue and white, rosemary, and a very hard-working wedding party.
These photos are long overdue: the wedding was last year, in 2010. This was in Z Space in San Francisco, using a lot of their plot and some trees from Friends of the Urban Forest. I’ve finally digested all my production-managing and lighting-designing well enough to edit the photos.
That’s me instructing the uncle of the bride in one pic, by the way. I was tempted to include a few pics of me hugging my new sister-in-law or marching around with a radio looking serious. I resisted.
And yes, Mike + Emily are now Happily Ever After.
Photos: Kim Komenich
Photos from SFSketchfest are up on the online gallery! Check them out and drink in all of my mic-setting/light-focusing/production managing mania for all of December and January. And part of February.
This is my third year as Technical Production Manager for SF Sketchfest. This beast of a festival usually involves 8-11 venues, 100 + performances, and a lot of stress-dissolving laughter. This year we’re coordinating a Viva Variety Reunion and bringing together some SNL Originals with Inside Joke. At least: the producers are bringing it together. I’m wrangling the mics, furniture, tech staff and funny hats. The first year I worked this gig I designed the lights for the first live all-member reunion of The State in 11 years. I nearly peed my pants. I’m hoping that at this point my bowel control has advanced considerably.
This is my second year as Lighting Technician for the Bracebridge Dinner at the Ahwahnee Hotel in Yosemite. It’s a great gig, for a number of reasons: the scenery, the free food, the fact that the TD actually listens to my design suggestions (two new specials this year!). In between shifts in the scissor lift, I’m finishing up my COP16 coverage and preparing for SFSketchfest. I’ve also been watching the videos from Green Stage Scratch Night. It looks like it was a great production, with a lot of work done in very limited time. Unfortunately their camerawoman got caught in a subway strike and it had to be filmed on an iphone. Took me ten minutes for me to get the courage to watch it. Definitely a learning experience, made some necessary edits clear. In the meantime, I’m waving hello to the deer.
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